
Just the other day, I saw the movie In Time top billed by Justin Timberlake and Amanda Seyfried. The cast also included Cillian Murphy, Olivia Wilde, Alex Pettyfer, Vincent Karthesier, and Collins Pennie. At first glance, you can’t help but be slightly impressed by the casting. Pair it up with a very intriguing concept and you definitely have a box office hit. Yes? No? Well, if you haven’t seen the movie, stop reading now because spoilers are about to come. Let’s take a dive and see whether this flick was worth the buck.
In Time starts with an introduction to the basic premise of the film: everyone stops aging at 25. Hardwired to last another year, one must find a way to buy more time. Currencies are a thing of the past. Time is everything: it pays the bills, keeps you alive, and you work to earn more of it. But then with this setup, how is population controlled? Simple: standards of living are raised everyday. A cup of coffee that costs 3 minutes of your life today will cost 4 minutes tomorrow. So then the rich and privileged get to live forever (or at least a century), while the poor die on the streets each day. With such an interesting concept as this, how can this movie go wrong? Apparently a number of ways.
The plot is triggered into motion when Rachel Salas (Olivia Wilde) dies seconds before her son Will Salas (Justin Timberlake) gets the chance to save her. Why does she die? She runs out of time. Why? Bus fare was raised. So mom with no time/money tries to run in her heels to borrow some time from her son who ironically just inherited a century from a rich man who got tired of living. Olivia dies, Justin cries, and I am still unmoved.
Angry and suddenly rich, Will Salas vows to take revenge and travels through economic time zones to reach New Greenwich, where only the richest live. Being from the shittiest economic zone, of course he’s supposed to stay at an expensive suite and fine dine like there’s no tomorrow. And oh, of course he can’t avoid but go to the nearest casino. This is where he wins a thousand years playing poker against uber millionaire Philippe Weis (Vincent Karthesier), gets introduced to heiress daughter Sylvia (Amanda Seyfried) – who in fact has been strangely stalking him since he arrived in town. Are you having a headache already? I know I am.
As in any plot, there has to be an antagonist. For this film, it is a role brilliantly played by Cillian Murphy. He plays Raymond Leon, a bad ass “timekeeper”. Timekeepers are the equivalent of the police force. They literally “keep time”, watching and monitoring any suspicious influx of time where it shouldn’t be. When Will Salas’ generous benefactor turns up dead in the river, they simply follow suspicious behavior, ie. someone crossing timezones to get to New Greenwich which costs a whole year to do. So in a couple of days they are able to locate primary suspect Will Salas, all fresh and salty from taking a dip in the ocean with tragically stifled and privileged Sylvia Weis. They interrogate him, take every year, month and hour but two to ensure safe return to the slums.
If you’re still reading this, then maybe you should go and watch the movie. I’ve no longer got the patience to explain the rest and maybe this is where the movie fails. All in all, it is a mess. The concept, though promising, has not been taken further as much as I hoped it would be. The storytelling is distracted at best with a handful of comedic parts forcibly injected. Some parts are pointless and unnecessary, such as the subplot of Fortis (Alex Pettyfer). I know we all loved him as the contemporary version of the Beast in Beastly, the hunky, Mogadorian-slaying alien in I am Number Four, but seriously, this movie could’ve done without him. The story’s main protagonists Will and Sylvia seemed to lack some serious motivation and were mostly clueless as to what to do next. Their big plan? Steal time, give it away to everyone, and upset the balance. How they did it? With a lot of indecisiveness. Should we steal time? Or should we make out? Blame Amanda Seyfried’s scandalous push-up bra.
In the end, it was a big chase between “timekeepers” and “time thieves” which seemed to have no apparent goal. It’s a mind fuck in a way that you go out of the theater wishing you could rewrite the plot to make it a whole lot better. It’s not crap, but it’s not something I’d like to watch over and over again either. It’s fine. If you have a couple of free hours to kill, then go watch it. As long as you’re not paying in seconds, minutes or days.